Showing posts with label Mark Gatiss. Show all posts
Showing posts with label Mark Gatiss. Show all posts

Wednesday, 25 January 2012

Fandom Twitter and writers...

I would hate to be a TV writer.

That's not true, I would love to be a TV writer but there is a huge element that would put me off and I'm sorry to say it's the part of fandom that disappears up its own ding dong, because it makes me uncomfortable.

Vast majority of fan out there are lovely, insane, enthusiastic, creative and have cracking sense of humour. This is  the good part, this has value. But there's a dark side, those who seem to revel in complaining and have no compunction in using twitter to harangue the writer.

I follow a number of writers on twitter and they have all felt the force of an irate corner of fandom. Curiously enough, the writer only has to be one of a team for the vitriol to flow in their direction and that makes me sad.  For one thing, if you call yourself a fan, then really you should know who is writing what and adjust your views accordingly.

For instance, Torchwood Children of Earth, was written by three people Russell T Davies, John Fay and James Moran. RTD wrote eps 1 and 5, James Fay 2 and 4, and James Moran co-wrote ep 3 with RTD.  Now episode 4, was a game changer for Torchwood as a beloved character was killed off in the most incredible way.  In my opinion a good death utterly compelling as part of the arc of Children of earth and afterwards a sizable section of the fandom went off the deep end.  James Moran was the only writer of the three and he got bombarded with abuse, how dare he kill off said character, so much so he had to leave twitter for a week.  But can you spot the deliberate mistake? James Moran didn't write the episode. On twitter he wrote about the process of writing COE to be a team effort so in a way all three were responsible in a way, but he didn't pull the trigger. But it is not right to ever harass anyone to the point of leaving a social networking site.

 Likewise, Steven Moffat can't seem to say anything without offending some corner of either  the Doctor Who or Sherlock fandoms. I've read a number of articles and blog posts which all seem to be picking up on things he's said in interviews that I just don't see.  There are those who seem determined to paint him as a  misogynist, which I've written about before and still don't get.

The other thing I fail to understand is why Steven Moffat is picked out for the Sherlock vitriol? Mark Gatiss as co-creator doesn't seem to get the same amount of flack and Steve Thompson who adapted the Blind Banker as well as The Reichenbach Fall is not attacked in the same way. Is it because Moffat is more visible? He get's interviewed more often and is therefore more open to being misrepresented by the press in the first instance and then misinterpreted by people reading the interview in the first place.

I also struggle to get my head round is the idea that some people in fandom seem to think that they can produce better work than the people writing and making the show in the first place.  Deep breath is required here.  Really, fandom? Take a look at yourself here and answer honestly, could you really write something better than an experienced writer has already done? For the vast majority it's a definite no. There is a lot of terrible fic out there, where plots are hackneyed and writing is cliché ridden.  There is also good fic, but I'd argue there is a huge canyon between decent fic and writing for tv.

It is arrogant for anyone to suppose they could do a better job than a particular writer who is getting paid to do the job, because it kind of begs the question: then why aren't they?

It's also not a question of just accepting, I criticise a lot of writing, there are many things which don't quite work for me, but I don't make an assumption that I can write something better than a paid writer of a TV series.

So to sum up. Fandom is good, fandom wank bad. Be nice to writers on twitter or they will pack up and leave. I love interacting with writers on twitter, they can be funny, engaging and you can pick up tips about their craft. Don't chase them off...

Monday, 9 August 2010

Waxing lyrical

I've been one of the many enrapt by Sherlock. It's a frighteningly good television show and last night was the climax of three ninety minute dramas and it blew me away. Well done Mr Mark Gatiss, you slugged it for six.

What can I say it ticked all my boxes for a good night's entertainment.  There was banter, there was guy love of the most epic variety, there was puzzles and action and 'splosions and and and a nemesis. I'm not the only one who saw shades of John Simm as the master am I? Surely not.

The relationship between Sherlock and John (I still kind of want to call them Holmes and Watson) is what makes this show for me. Benedict Cumberbatch is slightly unhinged as Sherlock and reminiscent of Richard E Grant in Withnail and I. Actually the relationship between S and J has echoes of the classic film without the demands for booze.  Cumberbatch is tall and elegant and dare I say it dashing but also wonderfully lacking in some basic social skills which again makes him not unlike Sheldon from the Big Bang theory. There are the inevitable comparisons to the Doctor and yes I agree with that too only Sherlock could be living in our universe though could you imagine the crossover potential...

I have to make a confession, I've got a soft spot for Martin Freeman. Ever since he played Tim in the Office. He get's a lot of goodwill from me in anything he's in, purely because it's him. I think he makes an awesome John Watson, but there's a small irk somewhere in the back of my brain.  He's supposed to have been an army doctor and that doesn't ring true for me so I push it to the back of my brain and enjoy the cantankerous sparkage between the two of them.

Inspector Lestrade is also a poppet I missed him in the second episode, he and his team adds a nice new dimension and relationship between the dynamic duo.  Also Una Stubbs as Mrs Hudson the housekeeper is sheer joy and ruthlessly steals every scene she's in.

Then there are the other characters and if you've seen the eps, you'll know who i mean, if you haven't you might have a good idea. I adore them too so very much.

I love the audacity of the writing team to give us blue balls at the climax of the three episodes.

Dear BBC,

Please recommission a new series of Sherlock ASAP.

Yours J

Wednesday, 4 August 2010

In which I get a little over excited.

I've been a big fan of Sherlock these last couple of weeks. Benedict Cumberbatch and Marin Freeman are making me squee with the banter as they investigate and deduce things.

The things that made me most excited though was the fact that Steven Moffat and Mark Gatiss were writing it. I've been looking forward to this show ever since I heard it was being made about eighteen months ago.

The squeeful stuff is that there's going to be a conference in the beginning of of september where Steven Moffat and Sue Vertue (his Co-Executive Producer and wife) are doing a Q&A session on Sherlock.

Sherlock Q & A details.

So the question is: are you coming?